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La mítica revista Expreso Imaginario en la web de Jorge Pistocchi. JORGE Expreso Memories (Horace Fontova) Spring Alfredo Rosso Claudio Kleiman Envelope No. 0 The Express CD EXPRESS gogabolson Jorge Pistocchi Ears to the Universe MEDIA HOT BREAD zaff NIBBLE HAIR Jorge's Texts and Covers Photos super rag Farewell Letter Brief history (Pipo Lernoud) Perhaps it was the only media in Argentina that did not talk about the 1978 World Cup and that was a political and editorial decision. Silencing the World Cup was a way of making the dictatorship invisible. If you couldn't talk about the meaning of those facts, it was best to talk about the "other things." El Expreso accompanied and was part of what was happening with rock, that music (movement?) that occupied a preponderant place globally, with enormous force during those years. El Expreso, Zaff, Pan Caliente were the milestones in Jorge's life. But not only in his. This website does not only talk about Jorge, it also tries to value the perspective that the Imaginary Express raised during the military dictatorship. What to do in such an oppressive climate, so dark, so hopeless? Without ignoring the situation, the Express gave a breath of fresh air in the face of so much claustrophobia. It allowed us to dream by placing ourselves in another reality This website does not only talk about Jorge, it also tries to value the perspective that the Imaginary Express raised during the military dictatorship. What to do in such an oppressive climate, so dark, so hopeless? Without ignoring the situation, the Express gave a breath of fresh air in the face of so much claustrophobia. It allowed us to dream by placing ourselves in another reality Perhaps it was the only media in Argentina that did not talk about the 1978 World Cup and that was a political and editorial decision. Silencing the World Cup was a way of making the dictatorship invisible. If you couldn't talk about the meaning of those facts, it was best to talk about the "other things." El Expreso accompanied and was part of what was happening with rock, that music (movement?) that occupied a preponderant place globally, with enormous force during those years. El Expreso, Zaff, Pan Caliente were the milestones in Jorge's life. But not only in his. MYSTICISM That was the word that would define my feelings towards the Imaginary Express. He was 25 years old at that time and since the end of the month he was going to the kiosk. I was waiting for the tour to pass and throw away the package of magazines that the kiosquero was diligently picking up. "Is the Express out?" he asked as he untied the package. When they told you that a magazine came out on a Wednesday, the truth was that at 8 pm on Tuesday it was already on the kiosk. I couldn't wait to hold it in my hands, to leaf through it. "No," he would reply to my anxiety. "You can tell they're late. It'll happen tomorrow." Disillusioned, I returned home waiting for those 24 hours when I would again wait with my friend, the kiosquero. "And...? Will he arrive today? SOUVENIRS OF THE IMAGINARY EXPRESS Recuerdos In those years, the dear Jorge Pistocchi and Pipo Lernoud, leading the agitating crowd, entrusted me with one of the most pleasant tasks of my life: that of doing the graphic art for the magazine. Made of pencils, Rotring, Letraset, strips of text, brushes, Chinese ink and glue, and which had the function of distributing by ear, without rules, all the juicy written material. horace fontova In the Imaginary Express there were no computers like the one I'm using right now, but rather the smell of a band exchanging ideas, typing on typewriters, a common project. In the Imaginary Express there were no computers like the one I'm using right now, but rather the smell of a band exchanging ideas, typing typewriters, a common project, crumpled papers or already made buns in bins dripping with imagination, darts stuck in an old door of wood, an improvised “football” in the newsroom, billiard lines as a dessert for lunch. But more than anything, the smell of something that occurs at special moments: an affinity that indicates that the work of a tribe can be protected by himself from the dangerous presence of criminal dolls that I prefer not to mention. Dolls that at that time could not even catalog or register the colorful threat of the beloved Express. In those years, the dear Jorge Pistocchi and Pipo Lernoud, leading the agitating crowd, entrusted me with one of the most pleasant tasks of my life: that of doing the graphic art for the magazine. Made of pencils, Rotring, Letraset, strips of text, brushes, Chinese ink and glue, and which had the function of distributing by ear, without rules, all the juicy written material. And to illustrate the ideas of my co-workers (Edy Rodriguez, Claudio Kleiman, Alfredo Rosso, Pelusa Confalonieri, Fernando Basabru, Gloria Guerrero, Sandra Russo, José Luis D'Amato, Diana Bellessi, Lucas Chiappe, Miguel Grinberg, Hugo Tabachnik, Rubén De León, Uberto Sagramoso, Aníbal Cicardi, Ralph Rothschild and others) with the collaboration of illustration masters such as René Olivares, Rocambole, Rolando Rojo, Springe Hornos, Gustavo Dallocchio, among others. Trying to define a graphic style would be impossible, because the style of the Express was non-style, chaos taken care of to the millimeter, captured in print without going back. This is how he came out fresh on the street, on August 6, 1976, in the middle of the military dictatorship. It's that bands come together when reality turns sour. Perhaps that is why many of our colleagues are together today, fighting side by side, in these unfortunate days Nac&Pop texts and covers textos In this deepest dive on the web I have not found the complete collection of the espresso. Pipo Lernoud edited a cd with the pdf of notes that he selected and that you will find on the next page and then there is the work of http://laexpresoimaginario.blogspot.com/ What follows are the covers of the issues where Jorge participated and the articles he wrote. Click on the cover to see content Photo gallery Fotos foto%20pistocchi%20pagina%2011_edited 1/20 superrag supertrapo vs. “…Supertrapo was the official team of the magazine that, in addition to facing the MIA, played against the staff of Periscope, Ohanian Producciones and was shamefully beaten by a combination of integrated rock musicians, among others, by people like Charly García, Ciro Fogliatta, Nito Mestre, Oscar Moro and Rinaldo Rafanelli, scorer of the match with four goals. With an irregular performance and fluctuating formation, from Supertrapo the virtues of Sagramoso under the three posts and the choreographic plasticity of Pistocchi barely remained in the memory. Precisely through communions like these, between editors, musicians, technicians and the public, rock was consolidated as the most forceful vehicle to express the ideas of the counterculture, above all due to its immediacy, due to the almost physical way of conveying its slogans. …” Bajo Belgrano Hikers Court. Friday April 22, 1977 Final result: Musicians 11 - Superrag 3 From the book: "Impossible station. Journalism and counterculture in the 1970s: the history of the Imaginary Express” By Martín Graciano and Sebastián Benedetti the farewell despedida Pipo: From the previous number, in which I decided to leave the direction of the Express and join the list of collaborators, I promised you some explanatory lines. It took me a while to decide because it is difficult to give reasons when you separate from something that you loved very much and, like any affective detachment. It was produced more by doubts than by certainties. These doubts do not mean leaving a pale floating on the editorial line, since I totally trust that you in Carlos Ponce and all the editorial guys will continue fighting it until the end. I say doubts, on a personal level, of continuing to find in this adventure that great spirit that emerged five years ago at a table in the "Imperio" pizzeria (Oh! the names!), and that we baptized "Express Imaginary". One wheel in reality and another in dreams, we said, to recover the vision of these two territories, putting ourselves out of reach of those who fall asleep in one, or of those who want to turn life into a meccano in the other. other. In the midst of this world with so much death and confusion, starting a journey towards poetry was not an easy thing. However, all the polenta was present the day that to get the first number out on the street we inserted, folded and fastened one hundred and twenty thousand sheets by hand and even friends and relatives were dragged into the company. That thing that produced the great reunions with Alfredo, Pelusa, Uberto, Edy, the black Fontova, and the appearance of new brothers: Lucas, Claudio, Diego, Springe, José Luis, Ralph, Rolando, Peti, and..... ........................................ (put here your name, as Uncle Tabachnik would say). All of us who ever end up sitting in front of a cup of coffee in The Forum or the Sportmen looking at us are faces of Idiots after those Intense closures and several sleepless nights. Finally, Pipo, that famous spirit, elusive and jumping, who constantly changes his name and place, who does not attend Mirta Legrand's lunches, who sticks out his tongue at us every time we think we have arrived somewhere, who seems slow to freedom and, fortunately, no one ever managed to register it in the Intellectual Property Registry. All of this is very subjective but I can't help but be at a time when I'm trying to find my own clarity. Either way, wrong or not, I know that if we're looking for the same thing, on the Express, on the street, or anywhere else, it has to come up again. Whoever locates it first, let him whistle and we'll all meet again. Well, more or less for all this is that I wanted to get off the beloved Express after three years of travel, and continue collaborating with you every time I have a note worth publishing. The threads that united us remain intact, let's keep trusting in love, always! And since movement is demonstrated by walking, let's start walking, Let's go still. Jorge Pistocchi One would imagine that Jorge del Expreso's farewell would have a page, a photo, but it was a letter in the reader's mail. STAFF

Una revista de Jorge Pistocchi. El Festival, el show de los Redonditos de Ricota en Excursionistas, y todos los números editados para ver o descargar Pan Caliente EXPRESS gogabolson Jorge Pistocchi Ears to the Universe MEDIA HOT BREAD zaff NIBBLE HAIR JORGE Testimonials The Round Ones Photos and videos The festival Magazines Start Finding the Pan Caliente collection from number 0 to 5, feeling the old paper, those notes that showed an Argentina different from the hegemonic media. This "discovery" has a dedication: Jorge Pistocchi. Hey, Jorge, where have you been? Well, somehow we can find it here... Pan Caliente was the idea of Jorge Pistocchi, who left Expreso Imaginario due to ideological disagreements (he did not agree that a magazine like Expreso should also be a producer of shows) and founded a magazine called "Zaff, the time magazine that It didn't come in. The editors of Zaff!! envisioned another magazine. In fact, they published those yellow magazines and another one on golf. And when John Lennon died they asked him to do an emergency special that was dripping with blood... It wasn't Jorge's job to take advantage of the circumstances and that was the end of Zaff!! A publisher fisherman, Jorge convinced by example. The important thing was to communicate, to communicate a dream... And that's how a soccer player from the San Telmo Club was like, Julio Balbi who had a printing press and Boris Krygel, who had nothing but good vibes as editors... a lot. This is how Pan Caliente was born, a total delirium. From its format to its anarchy. A magazine that hit bottom and held a festival where the main musicians of the time participated. It was called the "Hot Pan Festival to get an idea forward." But it was not enough. A gigantic forgery of tickets (it was all very naive and the tickets were so crude that a photocopy was enough to make them real) meant that despite filling the Excursionistas stadium, the funds did not appear. But unyielding Jorge began a second stage with the editor of "El Porteño". He named? Well, I name him Gabriel Levinas. Levinas, Lanata, who over the years turned to the stark right. "We were all communists when we were young" was a phrase made but true in these cases. But Jorge remained in his dreams and did not abandon them until his death on September 28, 2015. Poor as it always was. the fearsome return that filled a huge space. But how can it be? We spoke with the distributor who told us: "and well, that's how it is." Until one day I got off at a kiosk on Panamericana and Ruta I Don't Remember in the province of Buenos Aires. A depopulated place where they only passed the cars. And there I saw three Hot Breads. Multiply that by desolate roads. And in many neighborhoods of the Capital it was sold out on the first day! The dealer had to give us an explanation... And with a poker face, he said something that I don't remember, but I do remember his mischievous eyes saying: "Fuck you, do you know the Argentina we are living in?... Every exit from Pan Caliente we found Jorge walking through the kiosks seeing if the magazine was distributed. And sometimes we were surprised that as soon as it arrived it ran out. Our joy was immense until the numbers and the return arrived, First stage Primera Etapa Click on the cover to see the magazine Every exit from Pan Caliente we found Jorge walking through the kiosks seeing if the magazine was distributed. And sometimes we were surprised that as soon as it arrived it ran out. Our joy was immense until the numbers and the return arrived, the fearsome return that filled a huge space. But how can it be? We spoke with the distributor who told us: "and well, that's how it is." Until one day I got off at a kiosk on Panamericana and Ruta I Don't Remember in the province of Buenos Aires. A depopulated place where they only passed the cars. And there I saw three Hot Breads. Multiply that by desolate roads. And in many neighborhoods of the Capital it was sold out on the first day! The dealer had to give us an explanation... And with a poker face, he said something that I don't remember, but I do remember his mischievous eyes saying: "Fuck you, do you know the Argentina we are living in?... Every exit from Pan Caliente we found Jorge walking through the kiosks seeing if the magazine was distributed. And sometimes we were surprised that as soon as it arrived it ran out. El Festival Second stage Tired of falling into gray hair, disillusioned with the fact that the Excursionistas collection had been taken by resellers, I decided to leave the country. Resonances of the beginning of the Malvinas war. A people alienated with nationalist fervor. Ezeiza airport is empty. In front of me someone reads "La Razón" where in catastrophic lyrics it said that we were winning... The destination was Amsterdam but a stopover in Rio made Vivi and I stay there to wait for the matter to clear up. It was three months when we gave the second section: Amsterdam. Feeling freedom after so much repression… free joint! Unusual phone calls to Jorge (leaving condensed milk in a bain-marie, looking for a bugged phone and coming back that the can had exploded and the house where we lived with the people from Integral magazine had a sticky dulce de leche roof all over it. The good news. unyielding Jorge began a second stage with the editor of "El Porteño". He named? Well, I name him Gabriel Levinas. Levinas, Lanata, who over the years turned to the stark right. "We were all communists when we were young" was a phrase made but true in these cases. Enrique Symms replaced me as Editor in Chief, the cover was no longer in color but it had a much more powerful force than the first stage, but internal tensions began to appear. There were 3 unforgettable numbers that marked the end of Pan Caliente. Thanks Spring for the search THE FESTIVAL

gogabolson Jorge Pistocchi Ears to the Universe THE TEMPLE OF ART El Bolson - Rio Negro - Argentina GOGA RADIO DISCS PHOTOS MEDIA SPECIFIC AGREEMENT BETWEEN THE NATIONAL UNIVERSITY OF RIO NEGRO, THE SECRETARIAT OF CULTURE OF THE PRESIDENCY OF THE NATION AND THE GOGA CULTURAL PROJECT Among the SECRETARY OF CULTURE of the PRESIDENCY OF THE NATION, hereinafter "THE SECRETARY", with address at Avenida Alvear 1690, represented by Mr. Secretary of Culture of the Nation Mr. Jorge Edmundo Coscia, on the one hand, THE UNIVERSITY NACIONAL DE RIO NEGRO, hereinafter "THE UNIVERSITY", with address at Calle Colón 450 office 1, Viedma, Rio Negro, represented by the Rector Juan Carlos Bello and THE GOGA CULTURAL PROJECT, hereinafter "GOGA PROJECT", with address at Calle Subida Juan de Marquéz and Ruta Naciona No. 40, El Bolsón, Río Negro, represented by the owner of the brand "Proyecto Cultural Goga", Mr. Raúl Julio Rothschild, agree to enter into this specific agreement, in accordance with the Framework Agreement signed between THE SECRETARY AND THE UNIVERSITY, on October 8, 2013.----------------------------------- -------------------------------------------------- ---------------------- FIRST: OBJECT: Within the framework of this Specific Agreement THE SECRETARY AND THE UNIVERSITY agree to join forces in order to provide financial assistance and technical assistance for the completion of the "Auditorium" belonging to the GOGA PROJECT, space regional multidisciplinary culture and with provincial and federal scope.---------------------------------------- -------- SECOND: OF THE WORK: THE SECRETARY agrees to fully finance the completion work of the "Auditorium" of the GOGA PROJECT. THE UNIVERSITY, for the purposes of carrying out the work, undertakes within a period of sixty (60) days from this Agreement, to submit to THE SECRETARY the Computation and final Budget of the work to be carried out, the Specifications Sheet Complementary Techniques and Plans, necessary elements for the realization of the Bid Document corresponding to the completion stage of the aforementioned work. Once the work has been awarded in accordance with the rigorous bidding procedure, THE SECRETARIAT undertakes to transfer the amount resulting from the award of the public tender carried out, plus any price redeterminations that may correspond, within the terms established by the investment schedule to THE UNIVERSITY .------------------------------------------------- --------------------------------------- THIRD: METHOD OF PAYMENT: Once the architectural project of THE UNIVERSITY has been approved, the investment schedule must be developed in stages that will be incorporated into the present through Minutes that must be approved by the Secretary of Culture of the Nation for its transfer.-- -------------------------------------------------- -------------------------------------------------- ----------- FOURTH: DUTY OF COLLABORATION: THE GOGA PROJECT undertakes to: a) Submit at the request of THE SECRETARY and/or THE UNIVERSITY all information related to the project that is required, as well as receive inspections, exhibit places or things and provide the widest collaboration for the follow-up of its development. b) Leave expressly established in all instruments of public communication -press releases, catalogs, videos, etc.- the participation of THE SECRETARY and THE UNIVERSITY in the culmination of the Auditorium work of the "GOGA PROJECT".----- FIFTH: OWNERSHIP, USE AND/OR USUFRUIT OF THE AUDITORIUM: The parties agree that the execution of this Specific Agreement will be conditional on the signing of a complementary Act between THE UNIVERSITY and Mrs. Viviana Ducasa, in her capacity as attorney for the owners of the property object of the Agreement, which will be incorporated as an Annex and that will refer to everything related to the ownership, use and / usufruct of the "Auditorium" object of the Agreement, detailing rights and obligations of each of the parties, from the culmination of the work This agreement is subject to the fulfillment of the obligation assumed by Mrs. Ducasa for a period of up to ninety (90) days.----------------------- -------------------------------------------------- ------------------------------------ SIXTH: COORDINATION OF ACTIONS: In order to supervise the execution of this specific agreement and to guide and coordinate the activities derived from the application of this Agreement, Dr. María Elena TRONCOSO is designated as coordinator by "THE SECRETARY", National Director of Federal Action of the Ministry of Culture of the Presidency of the Argentine Nation.-------------------------------- --- SEVENTH: TERM OF THE AGREEMENT: This agreement will take effect from the signing of this document and will be valid for two years------------------------- ------------------------------- EIGHTH: DISPUTES: The parties enter into this agreement in good faith and with a spirit of collaboration and will do everything in their power to resolve through conciliation or mediation all disputes that may arise in relation to its interpretation, extension or renegotiation. If the disagreement persists and for all the purposes of this agreement, the parties submit to the jurisdiction of the National Courts in the competent Federal Administrative Litigation of the City of Buenos Aires---------- In proof of conformity, (3) copies of the same tenor and to a single effect are signed, each party receiving its own, in the City of Buenos Aires, on the eighth day of October 2013-------- -------------------------------------------------- ----------------------------------------- COMMITMENT TO ASSIGN AN INDIVIDUAL PART IN CONDOMINIUM In the Autonomous City of Buenos Aires, on December 23, 2013, between Mrs. Viviana Pilar DUCASA, DNI N”13,655,608 for herself and on behalf of her children Florencia ROTHSCHILD, DNI N° 32,783,570 and Paul ROTHSCHILD, DNI No. 31,008,751, all with address at Calle Humahuaca No. 4155, in the Autonomous City of Buenos Aires, hereinafter called "THE ASSIGNOR" and the National University of Río Negro, represented by the Rector Juan Carlos Del Bello domiciled at Calle Colón 450, office 1, Viedma, Río Negro, who accredits identity with DNI No. 8,431,234, hereinafter referred to as "THE ASSIGNEE", accrediting the parties the representation invoked with the pertinent powers, it is agreed to celebrate the present COMMITMENT TO ASSIGN AN INDIVIDUAL PART IN CONDOMINIUM. BACKGROUND: This contract is a consequence of the Framework Agreement signed between the Ministry of Culture of the Presidency of the Nation and the National University of Río Negro dated October 8, 2013; and the Specific Agreement between the National University of Río Negro, the Ministry of Culture of the Presidency of the Nation and the GOGA Cultural Project. By this last Agreement, the SECRETARY and the UNIVERSITY agreed to join efforts in order to provide financial and technical assistance for the completion of the "Auditorium" belonging to the GOGA PROJECT. The SECRETARIAT promised to fully finance the completion work of the "Auditorium" of the GOGA PROJECT, and the UNIVERSITY, for the purposes of carrying out the work, committed within sixty (60) days from the date of the agreement (October 8, 2013) to submit to the SECRETARIAT the Computation and Final Budget of the work to be carried out, the Technical Specifications Sheet and Complementary Plans, necessary for the completion of the Bid Sheet corresponding to the completion stage of the aforementioned work . That after awarding the work in accordance with the rigorous bidding procedure, the SECRETARY undertook to transfer the amount resulting from the public bidding carried out, with the price redeterminations that may correspond, within the terms established by the investment schedule of the UNIVERSITY. That once the architectural project of the UNIVERSITY has been approved, the investment schedule must be developed in stages that will be incorporated into the Specific Agreement through Acts that must be approved by the Secretary of Culture of the Nation for its transfer. That the GOGA PROJECT agrees to the duty of collaboration regarding the requirements of the SECRETARY and/or the UNIVERSITY. And, in particular, the parties agreed that the execution of the Specific Agreement would be conditional on the signing of a Complementary Act between the UNIVERSITY and Mrs. Viviana Pilar DUCASA, by itself and in its capacity as proxy for the owners of the property object of the Agreement, which will be incorporated as an Annex and which refers to everything concerning the ownership, use and/or usufruct of the "Auditorium object of the Agreement”, detailing the rights and obligations of each of the parties and the completion of the work, subjecting the Specific Agreement to the realization of the obligation assumed by Mrs. Viviana Pilar DUCASA for a period of up to ninety (90) days. That by virtue of the background information, and especially the fulfillment of the obligation assumed by Mrs. Viviana Pilar DUCASA, this ASSIGNMENT COMMITMENT OF AN INDIVIDED CONDOMINIUM PARTY is signed, subject to the following clauses: FIRST: The ASSIGNOR undertakes to assign to the ASSIGNEE one third (1/3) undivided of the property it owns over the property located on Subida Juan de Marquéz street and National Route No. 40, El Bolsón, Province of Río Negro, in condominium with her children Florencia ROTHSCHILD, and Pablo ROTHSCHILD, which will be calculated proportionally to each of the undivided parties, leaving two thirds (2/3) of the property under the ownership of the ASSIGNOR. SECOND: The ASSIGNEE increases the obligation to complete the work of the "Auditorium" belonging to the GOGA PROJECT. This obligation in charge of the ASSIGNEE is conditioned to the effective entry of funds from the Ministry of Culture of the Presidency of the Nation, which is responsible for the full financing of the work, including expenses for taxes, fees, legal stamps and deed costs, in full accordance with the provisions of the SECOND and THIRD clauses of the SPECIFIC AGREEMENT signed on 10/8/13 between the University of Río Negro, the Ministry of Culture of the Presidency of the Nation and the GOGA Cultural Project. THIRD: The ASSIGNOR will facilitate entry to the property and authorize the necessary works to complete the project in accordance with the previous clause, granting free access to what is already built for the purpose of its completion. FOURTH: The transfer deed of ownership will be granted within thirty (30) business days of having been granted the certificate de "End of Work", by the technical inspection that the ASSIGNEE determines and with the total agreement of the ASSIGNOR. FIFTH: If for any circumstance beyond the ASSIGNEE the work is not completed in its entirety, the transfer deed of ownership will be granted for a percentage equivalent to the proportion of the money effectively disbursed up to the time the work is halted. SIXTH: In the event that the ASSIGNEE does not comply with whoever is the winner of the Public Tender that will be carried out for the completion of the work, it is established that the ASSIGNEE will have nothing to claim from the ASSIGNOR party and will not be able to enforce rights of retention on the work or goods that are in the property. SEVENTH: The ASSIGNOR may not dispose of the property that is the subject of this Agreement during the term of this Agreement without the prior authorization of the ASSIGNEE. If the sale is authorized, the ASSIGNEE will have a privileged purchase option EIGHTH: In view of the characteristics and modalities of the Framework and Specific Agreements and complementary Acts, which serve as Background, and which hereby form a single body, the parties expressly agree that compliance with this commitment is totally subordinated to effective compliance. and opportune of all the obligations assumed by the UNIVERSITY and the SECRETARIAT OF CULTURE OF THE NATION. NINTH: The ASSIGNOR makes this assignment with perfect titles, free of all encumbrances and occupants, with taxes and fees paid up to the day of the execution of the deed, also guaranteeing the ASSIGNEE for eviction and sanitation of the asset object of the ASSIGNMENT. TENTH: In response to the modality and characteristics of compliance with the obligations expressed in the Agreements mentioned in the Background with respect to all parties, a CONTROL AND MONITORING COMMITTEE is formed, made up of four members, two representing the ASSIGNOR and two in representation of the ASSIGNEE, who will be in charge of the control and monitoring of the Fulfillment of the obligations assumed by the parties. On the ASSIGNOR party, Dr. Carlos Alberto TOFFOLI, DNI No. 17,080,004 and Dr. Alberto José AZUBEL, DNI No. 4,406,125, both domiciled at Calle Tucumán 1567. 8th floor "45", are appointed. CABA. The Dñdor is designated by the ASSIGNEE. Hernán Gustavo ANDRADE, DNI No. 23,234,277 and Dr. Jorge César Pío PAOLINELLI, DNI No. 11,492,910, both residing at Calle Miter 630, San Carlos de Bariloche, Province of Río Negro (Vice Rectorate Andean Headquarters UNRN) Through this Commission, the parties undertake to analyze the possibility of establishing a company for the exploitation of the common property. ELEVENTH: The parties, through their representatives in the CONTROL AND MONITORING COMMISSION, undertake to agree on a first Regulation for the use of the property and its various spaces, as well as the details that are necessary for the normal operation of the facilities. It is established that said first Regulation must respect the following basic criteria; a) Equitable distribution of the use of the Auditorium; b) Shared operation of the establishment's bar; c) Shared obligation of everything related to the conservation, care and safety of the facilities; d) Mutual respect for the modality of organization of activities of each party according to their specific objectives. Subsequently, after the transfer, the parties agree to agree on a Regulation of co-ownership. TWELFTH: For the first Regulation of use, the ASSIGNOR accepts the non-onerous use by the ASSIGNEE of the Auditorium for the study of subjects that require projections outside the room's business hours, for the programming of internal film cycles for students and teachers, for the INCCA Room functions of a subject where the students participate in all the activities related to the cinematographic exhibition, for Audiovisual Festivals organized by the UNRN and, eventually, for the installation of a TV studio and its equipment. THIRTEENTH: The amount of the tax stamp of this contract will be borne by the contracting parties in equal parts. FOURTEENTH: For the purposes of any judicial or extrajudicial matter inherent to the fulfillment of this assignment commitment, the jurisdiction of the Federal Court based in Viedma is established, excluding any other jurisdiction, for which the following legal domiciles are established: the ASSIGNOR Tucumán 1567, 8th floor "45" CABA and the ASSIGNEE at Belgrano 526, Viedma, Province of Río Negro (Rector's Office of the UNRN) In proof of conformity, two copies of the same tenor and for a single purpose will be signed, in the Autonomous City of Buenos Aires, on December 23, 2013.

LSD - Media Mr. Orejas is not responsible for the effects that listening may cause of the 24 hours of duration of this song by The Flaming Lips.

Society sociedad policia 1 Una Historia Gay, conversando con Martín 00:00 / 01:04 In this program the musicians sing to sex. We warn because it may affect the sensitivity of some people. Do not say that we did not warn. They warm you up Aguaturbia, Grindhouse, Hakuna Tanaka, James Brown, Juliana Hatfield, Kraftwerk, Led Zeppelin, Lito Vitale/Pedro Aznar. Los Prisioneros, Luis Alberto Spinetta, Martín Buscaglia, Pescado Rabioso, Peter Gabriel, PJ Harvey, Prince, Rammstein, Red Hot Chili Peppers, Santana, Ska-P, Soda Stereo, The Beatles, The Rolling Stones and Yoko Ono October 2021 Bloque 1 00:00 / 01:04 Bloque 2 00:00 / 01:04 Bloque 3 00:00 / 01:04 Bloque 4 00:00 / 01:04 Can you imagine a world without police? It's hard to think about it. I would say even risky. The problem is the way they behave, the victims they choose: PICKETERS, ROCKERS, BLACKS, POOR, MARIJUANERS, are their favorite catch. In this program, rock sings to the police... and not in very good terms. We are joined by: Arbol, Claudio Gabis, Cypress Hill, Dead Kennedys, HER, Happy Mondays, León Gieco, Los Abuelos de la Nada, Los Piojos, Los Twist, NWA, Northern Faces, Once Tiros, Paulina La Popi, Quinteto Negro La Boca , Radiohead, Paranoid Mice, Redonditos de Ricota and Urban Resistance November 2021 Martin 1 Sexoh! 00:00 / 01:04 2 Sexoh! 00:00 / 01:04 3 Sexoh! 00:00 / 01:04 4 Sexoh! 00:00 / 01:04 click to watch uncensored In this program the musicians sing to sex. We warn because it may affect the sensitivity of some people. Do not say that we did not warn. They warm you up Aguaturbia, Grindhouse, Hakuna Tanaka, James Brown, Juliana Hatfield, Kraftwerk, Led Zeppelin, Lito Vitale/Pedro Aznar. Los Prisioneros, Luis Alberto Spinetta, Martín Buscaglia, Pescado Rabioso, Peter Gabriel, PJ Harvey, Prince, Rammstein, Red Hot Chili Peppers, Santana, Ska-P, Soda Stereo, The Beatles, The Rolling Stones and Yoko Ono October 2021 sexo Pandemia 1 Crónicas Musicales de la Pandemia 00:00 / 01:04 2 Crónicas Musicales de la Pandemia 00:00 / 01:04 3 Crónicas Musicales de la Pandemia 00:00 / 01:04 4 Crónicas Musicales de la Pandemia 00:00 / 01:04 The pandemic brought a new way of making music: split screens, zoom, and each one from their confinement. Participating in this program: Pearl Jam, David Lebon, Roger Waters, Divided, Dinosaur Jr. Paul McCartney, Palo Pandolfo, Indio Solari, Bono and many more. August 2021 banda 1 Bandas de Mujeres 00:00 / 01:04 3 Bandas de Mujeres 00:00 / 01:04 2 Bandas de Mujeres 00:00 / 01:04 4 Bandas de Mujeres 00:00 / 01:04 Las Kellies, L7, Chastity Bell, Childbirth, Girlpool, Viudas e Hijas de Roque Enroll, Grass Widow, Fanny, Che-A, Berlin Brides, Las Taradas, Hijas de Zion, Amanda X, The Ace of Cups, The Coathangers, Lilits , Blacanblus, The Pierces, The Rebel Pebbles, Orquesta de Señoritas La Comunacha, Sleater-Kinney, Savages, Pussy Riot, Venus, Peaches, Femina, Warpaint. WATCH VIDEO "Pussy Riot" June 2018 Aborto 1 Músicos por el aborto legal 00:00 / 01:04 2 Músicos por el aborto legal 00:00 / 01:04 3 Músicos por el aborto legal 00:00 / 01:04 4 Músicos por el aborto legal 00:00 / 01:04 August 2018 coronapaja Coronapaja 00:00 / 01:04 March 2020 Demasiado 1 Demasiado Joven para Morir 00:00 / 01:04 2 Demasiado Joven para Morir 00:00 / 01:04 3 Demasiado Joven para Morir 00:00 / 01:04 4 Demasiado Joven para Morir 00:00 / 01:04 July 2019 click on the photo to enlarge Embarazadas January 2107 1 Embarazadas 00:00 / 01:04 2 Embarazadas 00:00 / 01:04 3 Embarazadas 00:00 / 01:04 4 Embarazadas 00:00 / 01:04 Futbol 1 Futbol 00:00 / 01:04 2 Futbol 00:00 / 01:04 3 Futbol 00:00 / 01:04 4 Futbol 00:00 / 01:04 June 2018 Hermanos 1 Hermanos 00:00 / 01:04 2 Hermanos 00:00 / 01:04 3 Hermanos 00:00 / 01:04 4 Hermanos 00:00 / 01:04 September 2020 Malas Palabras 1 Las Malas Palabras 00:00 / 01:04 2 Las Malas Palabras 00:00 / 01:04 3 Las Malas Palabras 00:00 / 01:04 4 Las Malas Palabras 00:00 / 01:04 February 2016 Navegando 1 Navegando 00:00 / 01:04 2 Navegando 00:00 / 01:04 3 Navegando 00:00 / 01:04 4 Navegando 00:00 / 01:04 December 2015 Plagio 1 Plagio 00:00 / 01:04 2 Plagio 00:00 / 01:04 3 Plagio 00:00 / 01:04 4 Plagio 00:00 / 01:04 July 2016 1 Violencia de Género 00:00 / 01:04 2 Violencia de Género 00:00 / 01:04 3 Violencia de Género 00:00 / 01:04 4 Violencia de Género 00:00 / 01:04 May 2017 Violencia Alcoholicos 1 Alcoholicos no tan anónimos 00:00 / 01:04 2 Alcoholicos no tan anónimos 00:00 / 01:04 3 Alcoholicos no tan anónimos 00:00 / 01:04 4 Alcoholicos no tan anónimos 00:00 / 01:04 October 2021 Listen in moderation. This is the music that refers to alcohol with Amy Winehouse, Carlos Gardel, Cuca, Divididos, Guns N Roses, Janis Joplin, Joe Bonamassa, Manos Fillipi, Mike Laure, Mägo de Oz, Muddy Waters, Pappo, Ronnie Wood, Roque Narvaja , The Doors, The National, The Paul Butterfield Blues Band, The Who and Wishbone Ash July 2016 2 - Marihuana 00:00 / 25:20 4 - Marihuana 00:00 / 23:53 5 - Marihuana 00:00 / 25:15 Marihuana 1 - Marihuana 00:00 / 23:47 3 - Marihuana 00:00 / 25:52 cocaina 1 Cocaina 00:00 / 01:04 2 Cocaina 00:00 / 01:04 3 Cocaina 00:00 / 01:04 4 Cocaina 00:00 / 01:04 December 2021 lsd 00:00 / 01:04 ver videos May 2020 LSD 50 1 La Década del 50 00:00 / 01:04 2 La Década del 50 00:00 / 01:04 3 La Década del 50 00:00 / 01:04 4 La Década del 50 00:00 / 01:04 November 2015 60 1 La Década del 60 00:00 / 01:04 2 La Década del 60 00:00 / 01:04 3 La Década del 60 00:00 / 01:04 4 La Década del 60 00:00 / 01:04 5 La Década del 60 00:00 / 01:04 6 La Década del 60 00:00 / 01:04 7 La Década del 60 00:00 / 01:04 8 La Década del 60 00:00 / 01:04 June 2016 The 70's 2019 mujeres 1 Mujeres en la música 00:00 / 01:04 2 Mujeres en la música 00:00 / 01:04 3 Mujeres en la música 00:00 / 01:04 4 Mujeres en la música 00:00 / 01:04 January 2017

Mr. Ears. I have found a mistake. fixed it!!! * Send

Orejas 2024 Setiembre 2024 Sueños Programa referido a los Sueños, en este caso soñamos desde el Sur con Alberto Ledo, Almendra, Armando Nahuelpan, Beatriz Pichi Malen, Catupecu Machu, Charly García, Divididos, Enanitos Verdes, Illya Kuryaki And The Valderramas, Invisible, La Beriso, Las Pastillas del Abuelo, León Gieco, Los Abuelos de la Nada, Los Gatos, Manal, Miguel Cantilo, Milton Nascimento, Redondos, Soda Stereo, Spinetta y Los Socios Del Desierto, Trotsky Vengarán y Virus. Programa referido a los Sueños, en este caso soñamos desde el Sur con Alberto Ledo, Almendra, Armando Nahuelpan, Beatriz Pichi Malen, Catupecu Machu, Charly García, Divididos, Enanitos Verdes, Illya Kuryaki And The Valderramas, Invisible, La Beriso, Las Pastillas del Abuelo, León Gieco, Los Abuelos de la Nada, Los Gatos, Manal, Miguel Cantilo, Milton Nascimento, Redondos, Soda Stereo, Spinetta y Los Socios Del Desierto, Trotsky Vengarán y Virus. En este programa elevaremos nuestra vista al cielo para encontrarnos con las estrellas a quienes aportan música las siguientes estrellas: A Broken Silence, Bunbury, Charly Garcia, David Bowie, Dead Can Dance, Grateful Dead, Gustavo "Principe" Pena, Hole, Los 7 Delfines, Manal, Matthew Sweet, Soda Stereo, Spinetta, Sumo, The Beatles, The Cure, The Mission y They Might Be Giants Ancla 2 çlifford PRIMAV INFIERO A partir de este programa se suma a Orejas, Clifford Ortega, un navegante que encontró en Avenida Mark Zuckerberg y Corrientes, en el barrio de Facebook donde le llamó la atención su propuesta de humor y poesía. Así comienza el programa a tomar un nuevo rumbo que quién sabe dónde lo llevará. Y en esta primera emisión repasamos los 11 de setiembres, los de la Torres Gemelas, del golpe en Chile, de la vergonzosa sesión de diputados del veto y del Día del Maestro: Charly García. Además lecturas y música, mucha música con novedades del 2024 y aquellos temas que ya son parte de nuestra historia Un programa especial situandonos en el infierno que será tan hermosa estación. Junto al sociologo Clifford Ortega repasaremos las primaveras democráticas que han recorrido el mundo en lugares como Japón, Mexico, Sudafrica, Estados Unidos, Sudáfrica, Argentina y muchos países más. La música será fiel compañera de este programa representada por Palito Ortega, Mancha de Rolando, Charly García, Roque Narvaja, Gustavo “Príncipe” Pena, Tanguito, Banda Bostik, Santana, Pedro Aznar, Miguel Abuelo, Johny Tedesco, Manu Chao, Daniel Viglietti, Joaquín Sabina, Ratones Paranoicos, Beatriz Pichi Malen, Soda Stereo y Luis Alberto Spinetta. Botón Home Agosto 2024 Octubre 2024 Botón

Dos Orillas Octubre 2023 El papá del Dr. Orejas antes de cumplir 155 años emprendió en abril de este año una gira financiada por Anses llamada Pami Rock International Tour que lo llevó en pocos días por Tokio, Budapest, Nueva York, Amsterdam, Barcelona y Las Vegas para ver a viejas glorias del rock. Y para saber quienes participan no queda mas remedio que escuchar el programa!!! Dos Orillas es el programa de esta semana dedicado a nuestro río compartido con Uruguay. Con la participación de Javier Sicardi, Javier Martínez, Man Ray, Mancha de Rolando, Joaquín Sabina, Juan Carlos Baglietto, Gotan Project, Lo´Pibito, Cuarteto de Nos, Martin Buscaglia & Pablo Dacal. Recomendamos la visión de Charco, Canciones del Río de la Plata en www.charcolapelicula.com o en You Tube. xxl El Dr. Orejas ama a los gatos. Y les dedica un programa con música que habla de ellos. Maúllan en este programa Pappo, Charly García, Uki Tolosa, El Principe Pena, Wos, Pedro Aznar y más… Todo un ronroneo! Seis temas tiene el programa de hoy cuidadosamente seleccionados por el Dr. Orejas y la consigan es que tengan una duración bastante anti radiofonica… Este es un programa para el caminante que camina por el camino. Se puede escuchar caminando por la ciudad, con auriculares, o bien por una pradera caminando hacia el horizonte. Y dejarnos acompañar por Víctor Jara, Luis Alberto Spinetta, Guadalupe Plata, Concrete Blonde, Sidestepper, Seru Girán, Nicolás Guillen, Ana Belen, Bomba Estéreo, Patagonche, Los Abuelos de la Nada, Gipsy Kings, los anartistas: Pedro Conde, Uki Tolosa y Claudia Oil y Joan Manuel Serrat Botón Home Botón

Noviembre 2023 En este programa repasamos algunos de los temas que el rock argentino dedicó a otro argentino: el Che Guevara. Le cantan: Roque Narvaja - Alma y Vida - Moris - Charly García - Los Fabulosos Cadillacs - La Renga - León Gieco - Carlos Gardel - Mancha de Rolando - Raly Barrionuevo. Habría mucho pero el tiempo es finito, en este caso una hora de homenajes. Esta semana transmitimos desde el sótano. Así se llama el programa televisivo que realizó el productor de Radiohead, Nigel Godrich invitando a distintas bandas en un clima tranquilo donde hizo las grabaciones con Nilüfer Yanya, Idles, Red Hot Chili Peppers, José Gonzalez, Radiohead, PJ Harvey, Sonic Youth, The White Stripes, The Fall, Squid, Warpaint y White Denim. Un programa lleno de música. basement de w a m 50 años - 2 Segundo programa donde presentamos los discos editados hace medio siglo… ¡¡¡50 años!!! Bob Dylan, Genesis, Gentle Giant, King Crimson, Kraftwerk, Led Zeppelin, New York Dolls, Pink Floyd, The Rolling Stones & The Who. Música inoxidable al tiempo. Escuchar primera parte Next El Dr. Orejas recorre los momentos sociales que vivió desde el Mayo Francés hasta estos tiempos a través de la música y algunas palabras... Botón Home Botón

Jorge Pistocchi, su vida, su obra. Fue el creador de las revistas Mordisco, Expreso Imaginario, Zaff! y Pan Caliente. Sus frases, los artículos que se publicaron acerca de sus revistas y la colección completa de muchas de ellas. Youth Photo Pipo Miguel Grandpa Spinetta Cosmic Center lavalol Photos El Bolson Mouth not everything is roses Phrases Videos Miguel Grinberg Farewell Start To the readers Resume Photos of a stay El Bolson - August 2008 Youth Photo Pipo Miguel Grandpa Spinetta Peter Count Cosmic Center lavalol the baggin Mouth not everything is roses Phrases Videos Miguel Grinberg gogabolson Jorge Pistocchi Ears to the Universe MEDIA HOT BREAD zaff EXPRESS NIBBLE HAIR JORGE To the readers Resume Start Dedicated to Ariel MOUTH

Orejas al Universo, un programa de música que cuenta historias. Más de 200 podcasts de música, historias, personajes, sociedad para escuchar y descargar. Ancla 1 Cycle 2021 1 Navidad con el Sr. Orejas 00:00 / 01:04 2 Navidad con el Sr. Orejas 00:00 / 01:04 3 Navidad con el Sr. Orejas 00:00 / 01:04 4 Navidad con el Sr. Orejas 00:00 / 01:04 December 2021 Located in New York, the Chelsea Hotel is not just any hotel. Other musicians passed through there Among the best known who passed through Chelsea Keith Richards , Patti Smith , virgil thomson , Dee Dee Ramone de The Ramones , Henri Chopin , John Cale , Edith Piaf , Joni Mitchell , Bob Dylan (wrote on this hotel Sad Eyed Lady of the Lowlands dedicated to Sarah Dylan ), Janis Joplin , Jimi Hendrix , sid vicious (who killed his partner there), Leonard Cohen , Anthony Kiedis , Bob Marley , and many songs were dedicated to Chelsea. There Arthur Clarke wrote 2001, Mark Twain, Bucovski and many more. Andy Warhol. The list is endless 1 Chelsea Hotel 00:00 / 01:04 2 Chelsea Hotel 00:00 / 01:04 3 Chelsea Hotel 00:00 / 01:04 4 Chelsea Hotel 00:00 / 01:04 December 2021 1 Cocaina 00:00 / 01:04 2 Cocaina 00:00 / 01:04 3 Cocaina 00:00 / 01:04 4 Cocaina 00:00 / 01:04 December 2021 Bloque 1 00:00 / 01:04 Bloque 2 00:00 / 01:04 Bloque 3 00:00 / 01:04 Bloque 4 00:00 / 01:04 Last program of the year of the International Record News of the year 2021 in its sixth consecutive year on www.orejasaluniverso.com.ar . And selecting only one song from many albums -which is not necessarily the broadcast- we are accompanied by Courtney Barnett, Damon Albarn, Dave Gahan, Deep Purple, Deerhoof, Elbow, Electric Eye, Eric Clapton, Joe Bonamassa, Kills Birds, Richard Ashcroft, Robert Plant, Rod Stewart, Sting, The Black Veils and The War On Drugs November 2021 Bloque 1 00:00 / 01:04 Bloque 2 00:00 / 01:04 Bloque 3 00:00 / 01:04 Bloque 4 00:00 / 01:04 Can you imagine a world without police? It's hard to think about it. I would say even risky. The problem is the way they behave, the victims they choose: PICKETERS, ROCKERS, BLACKS, POOR, MARIJUANERS, are their favorite catch. In this program, rock sings to the police... and not in very good terms. We are joined by: Arbol, Claudio Gabis, Cypress Hill, Dead Kennedys, HER, Happy Mondays, León Gieco, Los Abuelos de la Nada, Los Piojos, Los Twist, NWA, Northern Faces, Once Tiros, Paulina La Popi, Quinteto Negro La Boca , Radiohead, Paranoid Mice, Redonditos de Ricota and Urban Resistance November 2021 Bloque 1 00:00 / 01:04 Bloque 2 00:00 / 01:04 Bloque 3 00:00 / 01:04 Bloque 4 00:00 / 01:04 A tour of the West Coast in the 60s with Jefferson Airplane, Hot Tuna, Sly and the family Stone, Santana, Spirit, Doobie Brothers, Janis Joplin, Grateful Dead, Love, Electric Prunes, Three Dog Night, Steppenwolf, The Beach Boys, Mamas & the Papas, The Byrds, Country Joe & The Fish, The United States of America, Buffalo Springfield, CSN & The Doors November 2021 Bloque 1 00:00 / 01:04 Bloque 2 00:00 / 01:04 Bloque 3 00:00 / 01:04 Bloque 4 00:00 / 01:04 Many musicians pass through Mr. Orejas' Library, choose a book and sing to it. THE LORD OF THE RINGS (JRR Tolkien): Led Zeppelin, Black Sabbath and Joni Mitchell. THE BIBLE: Vox Dei MARTIN FIERRO (José Hernández): Juana Molina 1984 (George Orwell): David Bowie, Ricotta Roundups, Radiohead, Dead Kennedy and Anti-Flag ALICE IN WONDERLAND (Lewis Carroll): The Great Society, Aerosmith, Seru Girán Y The Beatles LOLITA (Vladimir Nabokov): Billy Bond and The Police THE TELL-TELL HEART (Edgar Allan Poe): Soda Stereo THE ILIAD (Homer): Cream and Suzanne Vega THE OPEN VEINS OF LATIN AMERICA (Eduardo Galeano): Los Fabulos Cadillacs INSOMNIA (Jorge Luis Borges): Pedro Aznar THE GRAPES OF WRATH (John Steinbeck): Bruce Spingsteen November 2021 1 Alcoholicos no tan anónimos 00:00 / 01:04 2 Alcoholicos no tan anónimos 00:00 / 01:04 3 Alcoholicos no tan anónimos 00:00 / 01:04 4 Alcoholicos no tan anónimos 00:00 / 01:04 October 2021 Listen in moderation. This is the music that refers to alcohol with Amy Winehouse, Carlos Gardel, Cuca, Divididos, Guns N Roses, Janis Joplin, Joe Bonamassa, Manos Fillipi, Mike Laure, Mägo de Oz, Muddy Waters, Pappo, Ronnie Wood, Roque Narvaja , The Doors, The National, The Paul Butterfield Blues Band, The Who and Wishbone Ash Bloque 1 00:00 / 01:04 Bloque 2 00:00 / 01:04 Bloque 3 00:00 / 01:04 Bloque 4 00:00 / 01:04 November 2021 more monthly news Ancla 2 1 Sexoh! 00:00 / 01:04 2 Sexoh! 00:00 / 01:04 3 Sexoh! 00:00 / 01:04 4 Sexoh! 00:00 / 01:04 In this program the musicians sing to sex. We warn because it may affect the sensitivity of some people. Do not say that we did not warn. They warm you up Aguaturbia, Grindhouse, Hakuna Tanaka, James Brown, Juliana Hatfield, Kraftwerk, Led Zeppelin, Lito Vitale/Pedro Aznar. Los Prisioneros, Luis Alberto Spinetta, Martín Buscaglia, Pescado Rabioso, Peter Gabriel, PJ Harvey, Prince, Rammstein, Red Hot Chili Peppers, Santana, Ska-P, Soda Stereo, The Beatles, The Rolling Stones and Yoko Ono click to see uncensored October 2021 more society Cycle 2021 more nature 1 Estrellas 00:00 / 01:04 2 Estrellas 00:00 / 01:04 3 Estrellas 00:00 / 01:04 4 Estrellas 00:00 / 01:04 A Broken Silence - Bunbury - Charly Garcia - David Bowie - Dead Can Dance - Grateful Dead - Gustavo "Principe" Pena - Hole - Los 7 Delfines - Manal - Matthew Sweet - Soda Stereo - Spinetta - Sumo - The Beatles - The Cure - The Mission - They Might Be Giants October 2021 more nature 1 Nubes 00:00 / 01:04 2 Nubes 00:00 / 01:04 3 Nubes 00:00 / 01:04 4 Nubes 00:00 / 01:04 Human Color - David Lebon - Drive-By Truckers - Explota Elizabetta - Gabo Ferro - Jefferson Airplane - Joni Mitchell - La Portuaria - Las Pelotas - Leon Gieco - Los 7 Delfines - Los Gatos Mauro Figliuolo - Nito Mestre - Pedro Aznar - Phish - Skay Beilinson - The Rolling Stones Vox Dei - The Incredible String Band - The Rolling Stones - Vox Dei October 2021 more nature 1 Orejas Show - 2021 00:00 / 01:04 2 Orejas Show - 2021 00:00 / 01:04 3 Orejas Show - 2021 00:00 / 01:04 4 Orejas Show - 2021 00:00 / 01:04 After a long time, the Orejas Show, the recital program, returns. alt-J - Death Cab for Cutie - Eric Clapton & Friends - Janis Joplin - Jimi Hendrix - Kurt Vile & The Violators - King Gizzard & The Lizard Wizard - Los Lobos_cc781905-5cde-3194-bb3b participate -136bad5cf58d_ - Metallica - Mark Knopfler - Neil Young - Nirvana - Pearl Jam - Robert Plant - Roger Waters - The Chameleons September 2021 more recitals 1 Cielo 00:00 / 01:04 2 Cielo 00:00 / 01:04 3 Cielo 00:00 / 01:04 4 Cielo 00:00 / 01:04 Billy Bond and La Pesada del Rock & Roll, Charly Garcia, Pedro Aznar, Chris Cornell, Coldplay, Divididos, El Cuarteto de Nos, Gustavo Cerati, Jorge Drexler, Kate Bush, La Barra de Chocolate, La Cofradía de la Flor Solar, La Roca, Lou Reed, Norman Greenbaum, Outlaws, Patricio Rey y sus Redonditos de Ricota, Phish, Skay Beilinson, The Beatles, The Jimi Hendrix Experience, The Kinks September 2021 more nature 1 Tiny Desk 00:00 / 01:04 2 Tiny Desk 00:00 / 01:04 3 Tiny Desk 00:00 / 01:04 4 Tiny Desk 00:00 / 01:04 Mr. Orejas visits NPR, National Public Radio in Washington to enjoy Alt-j - Ani DiFranco - Bob Weir And Wolf Bros - Bomba Estereo - Café Tacvba - Coldplay - Courtney Barnett - Daughter - Death Cab For Cutie - Jackson Browne - Jorge Drexler - Juana Molina - Liz Phair - Sting & Shirazee - Suzanne Vega - Tash Sultana - The Black Crowes - The Lumineers - Trey Anastasio - Weezer - Yusuf Cat Stevens _cc781905-5cde-3194 -bb3b-136bad5cf58d_ _cc781905 -5cde-3194-bb3b-136bad5cf58d_ _cc781905-5cde-3194- bb3b-136bad5cf58d_ _cc781905- 5cde-3194-bb3b-136bad5cf58d_ _cc781905-5cde-3194-bb3b -136bad5cf58d_ _cc781905-5cde -3194-bb3b-136bad5cf58d_ _cc781905-5cde-3194-bb3b- 136bad5cf58d_ _cc781905-5cde- 3194-bb3b-136bad5cf58d_ _cc781905-5cde-3194 -bb3b-136bad5cf58d_ Setiembre 2021 more earscasts Bloque 1 00:00 / 01:04 Bloque 2 00:00 / 01:04 Bloque 3 00:00 / 01:04 Bloque 4 00:00 / 01:04 September 2021 more monthly news 1 La Despedida 00:00 / 01:04 2 La Despedida 00:00 / 01:04 3 La Despedida 00:00 / 01:04 4 La Despedida 00:00 / 01:04 It is not that Mr. Orejas is saying goodbye but that at Orejas al Universo we talk about goodbyes. Lionel Messi, Atomic Rooster, Bill Haley, Cypress Hill, Everly Brothers, Fito Páez, Franz Ferdinand, Gustavo Cerati, Jaime Roos, Joan Baez, Joe Bonamassa, Leonard Cohen, Manu Chao, Mavi Díaz, Paul Simon, Pink Floyd, The Beatles, The Doors, Toto La Momposina and his Drums and Charlie Watts _cc781905-5cde-3194 -bb3b-136bad5cf58d_ _cc781905 -5cde-3194-bb3b-136bad5cf58d_ _cc781905-5cde-3194- bb3b-136bad5cf58d_ _cc781905- 5cde-3194-bb3b-136bad5cf58d_ _cc781905-5cde-3194-bb3b -136bad5cf58d_ _cc781905-5cde -3194-bb3b-136bad5cf58d_ _cc781905-5cde-3194-bb3b- 136bad5cf58d_ _cc781905-5cde- 3194-bb3b-136bad5cf58d_ _cc781905-5cde-3194 -bb3b-136bad5cf58d_ Setiembre 2021 more similar programs 1 Cartas 00:00 / 01:04 2 Cartas 00:00 / 01:04 3 Cartas 00:00 / 01:04 4 Cartas 00:00 / 01:04 August 2021 click to enlarge more similar programs cycle 2021 1 Cambio Climático 00:00 / 01:04 2 Cambio Climático 00:00 / 01:04 3 Cambio Climático 00:00 / 01:04 4 Cambio Climático 00:00 / 01:04 August 2021 more nature 1 Crónicas Musicales de la Pandemia 00:00 / 01:04 2 Crónicas Musicales de la Pandemia 00:00 / 01:04 3 Crónicas Musicales de la Pandemia 00:00 / 01:04 4 Crónicas Musicales de la Pandemia 00:00 / 01:04 August 2021 more earscasts 1 Miguel Cantilo 00:00 / 01:04 2 Miguel Cantilo 00:00 / 01:04 3 Miguel Cantilo 00:00 / 01:04 4 Miguel Cantilo 00:00 / 01:04 August 2021 more characters 1 Bombas 00:00 / 01:04 2 Bombas 00:00 / 01:04 3 Bombas 00:00 / 01:04 4 Bombas 00:00 / 01:04 click to enlarge more similar programs 1 Los Días de la Semana 00:00 / 01:04 2 Los Días de la Semana 00:00 / 01:04 3 Los Días de la Semana 00:00 / 01:04 4 Los Días de la Semana 00:00 / 01:04 more nature Bloque 1 00:00 / 01:04 Bloque 2 00:00 / 01:04 Bloque 3 00:00 / 01:04 Bloque 4 00:00 / 01:04 12 - https://archive.org/details/abril-2021_202106 more monthly news 17 - https://archive.org/details/march-2021 Bloque 1 00:00 / 01:04 Bloque 2 00:00 / 01:04 Bloque 3 00:00 / 01:04 Bloque 4 00:00 / 01:04 more monthly news 1 Volar 00:00 / 01:04 2 Volar 00:00 / 01:04 3 Volar 00:00 / 01:04 4 Volar 00:00 / 01:04 6 episode miniseries 7 years ago, Orejas al Universo was born on Frecuencia Zero FM 92.5) in Buenos Aires, to which several radio stations from the interior were added. We celebrate it with a six-episode miniseries telling the story of Pipo Lernoud, stage name of Alberto Raúl Lernoud (November 5th de 1946 ), un poet , composer , journalist and precursor of the ecological or organic farming en Argentina . Considered one of the founders of the Argentine national rock . Author of well-known songs such as «just yesterday » (together with die ) and "The Golden Princess". He was founder and director of rock magazines such as The Imaginary Express y sing rock , among other. Keep reading click here 1/24 Very young and naive at the age of 18, Mr. Orejas traveled to the United States. New York was the first stop. Winter. On January 24, 1969, I had tickets to see Blood, Sweat & Tears in Manhattan. He lived in the suburbs, Flushing to be exact, and that day one of the biggest snowfalls in history had fallen. But big, big. Then he walked to the train station since there were no bondis or buses in English. After the icy and slippery journey he arrived at a theater called Fillmore. The recital begins and the band that I was going to see was preceded by a group that I had not heard of and that was debuting in the United States. A skinny, tall, gangly flutist was jumping from one end of the stage to the other. He looked closely at the program and said Jethro Tull who would become one of Mr. Ears' favorites. Awesome! Then the main band came and it was good but... Despite the snowfall, Mr. Orejas came back floating wrapped in the music he had discovered. Two months later he was in San Francisco. And in San Francisco there was the Fillmore West. Here there were no seats like en Long-haired men on the floor passed a cigarette at that time unknown to the naive Mr. Ears. And onstage a flood of music spilled out through the strange-smelling smoke. It was Spirit, a great band and then, wow, Ten Years After… The Englishman Alvin Lee & Co. It's a serious thing. Blues, rock, infinite energy. The Fillmores were the temples of rock from coast to coast. They didn't last long. Enough so that the main representatives of that generation could germinate in a friendly and powerful space. NY. 1 Fillmore East 00:00 / 01:04 2 Fillmore East 00:00 / 01:04 3 Fillmore East 00:00 / 01:04 4 Fillmore East 00:00 / 01:04 1 Fillmore West 00:00 / 01:04 2 Fillmore West 00:00 / 01:04 3 Fillmore West 00:00 / 01:04 4 Fillmore West 00:00 / 01:04 1/6 Bloque 4 00:00 / 01:04 Bloque 1 00:00 / 01:04 Bloque 2 00:00 / 01:04 Bloque 3 00:00 / 01:04 Bloque 4 00:00 / 01:04 12 - https://archive.org/details/abril-2021_202106 17 - https://archive.org/details/march-2021 Bloque 1 00:00 / 01:04 Bloque 2 00:00 / 01:04 Bloque 3 00:00 / 01:04 Bloque 4 00:00 / 01:04 1 Martin Scorsese 00:00 / 01:04 2 Martin Scorsese 00:00 / 01:04 3 Martin Scorsese 00:00 / 01:04 4 Martin Scorsese 00:00 / 01:04 5 Martin Scorsese 00:00 / 01:04 6 Martin Scorsese 00:00 / 01:04 7 Martin Scorsese 00:00 / 01:04 8 Martin Scorsese 00:00 / 01:04 Bloque 1 00:00 / 01:04 Bloque 2 00:00 / 01:04 Bloque 3 00:00 / 01:04 Bloque 4 00:00 / 01:04 17 - https://archive.org/details/march-2021 1 Saborido 00:00 / 01:04 2 Saborido 00:00 / 01:04 3 Saborido 00:00 / 01:04 4 Saborido 00:00 / 01:04 1 Beatles Covers 00:00 / 01:04 2 Beatles Covers 00:00 / 01:04 3 Beatles Covers 00:00 / 01:04 4 Beatles Covers 00:00 / 01:04 Did you know that there was a fifth beatle and he was Argentine? click here 24 - https://archive.org/details/02-novedades-febrero-2021 Bloque 1 00:00 / 01:04 Bloque 2 00:00 / 01:04 Bloque 3 00:00 / 01:04 Bloque 4 00:00 / 01:04 1 Lalo Mir 00:00 / 01:04 2 Lalo Mir 00:00 / 01:04 3 Lalo Mir 00:00 / 01:04 4 Lalo Mir 00:00 / 01:04 Bloque 1 00:00 / 01:04 Bloque 2 00:00 / 01:04 Bloque 3 00:00 / 01:04 Bloque 4 00:00 / 01:04 98 - https://archive.org/details/music-january-2021 up

Jorge Pistocchi, su vida, su obra. Fue el creador de las revistas Mordisco, Expreso Imaginario, Zaff! y Pan Caliente. Sus frases, los artículos que se publicaron acerca de sus revistas y la colección completa de muchas de ellas. Youth Photo Pipo Miguel Grandpa Spinetta Peter Count Cosmic Center lavalol the baggin Mouth not everything is roses Phrases Videos Miguel Grinberg gogabolson Jorge Pistocchi Ears to the Universe MEDIA HOT BREAD zaff EXPRESS NIBBLE HAIR JORGE Start To the readers Resume Cosmico La Paternal Cosmic Center 297808_10150382143286514_84602725_n cosmico-4 1/17 Memories get blurry. Years 1984/85. How did Jorge set up the Cosmic Center in La Paternal, so I go to those who have material and memories. A huge house, parties, people who come and go, projects, clubs, typewriters refresh my memory through some photos. Joaquín Amat has many video productions that can be seen atYoutube. "...we made a very big festival, they are all things that you surely know better than me [the only participation of the Redondos in a festival is known history. Later, I formed a kind of community with other people, somewhat similar to this, but perhaps with many more people, in a very large house that we rented. It was a different project, we wanted to do a publishing house but it ended up in something else. That was in La Paternal, a place we built in '84 called Centro Cósmico La Paternal and it lasted until 1990. It was a very large house that some friends of mine had rented, and where they proposed to me to make a magazine. I had been left with a pending matter, after the many problems I had with the publications I put out, that the titles of the Imaginary Express were stolen from me, etc., etc., and I wanted to continue making a publication." Was it a big place? Yes, a house more or less similar to this one, but with many more rooms, a gigantic patio, sheds. When we wanted to agree, after a few weeks everyone slipped in and then in the end we said "let's organize as a community, a newsroom here is going to be impossible" (he laughs). And it was a very nice experience because we did it, we organized ourselves, there were many boys between mine and those of my friends, like ten. And we set up a work cooperative, we painted walls, we did various jobs, with what more or less each one knew. Decorations, whatever. We had a box in common -which we have here too- and with that we spent six years with various... (He remembers and laughs) with various incidents, some of a certain seriousness. A very heterogeneous environment was generated, so we went from hippies from El Bolsón to many heavy metals. All the tribes were there. All, yes. The V8s came at first, which later, in that house, became Hermética. We would have some very large barbecues to which the most diverse people you can think of would come: very lumpen people, very marginal, and out there intellectuals and hippies. But they all lived... See full note by clicking here The interiors of the Fontova Presidente video were recorded at the Cosmic Center. You can see it by clicking on the play of the television Lavallol Jorge and Joaquin Amat Far from his natural habitat, Jorge had landed in Lavallol. To see it you had to make a long journey. Ricchieri, Camino de Cintura to reach a modest "home", very modest. His spirit continued to fight against injustice, although on those lonely nights, anguish and depression would surely take over him. When I was left with my family without a place to live, a friend got me a house that was unoccupied in a workshop belonging to the Amat textile factory in Monte Grande, which was among the three most important in the country and gave work to more than a thousand people. The place where I went to live was called the little workshop because in relation to the factory it was. But this "little workshop", which was in charge of the manufacture of spare parts and the maintenance of the entire industrial complex, comprised a block and almost a hundred people worked. In other words, the back of my house was separated, by a sliding gate, from huge sheds full of people working. But of course, while this workshop flourished, the factory collapsed, like the rest of the productive apparatus. That's how one fine day they declared bankruptcy, kicked everyone out, put closing strips on the doors and Right off the bat I found myself alone with my wife and three children, in the midst of the oppression of the huge now empty sheds, waiting for the moment when they came to evict us. I felt the torment of seeing how once again it was necessary to renounce and leave behind everything that had been built, just like with the Express and the Cosmic Center. In this case, things were much more dramatic because the companions, most of them because of their age, would not get a job anywhere. I was always on the streets and developed defense mechanisms, but they were left in the most absolute helplessness and it seemed to me a betrayal to leave without fighting. This lasted four years from when we took over the factory with two hundred workers and transformed it into a cooperative until the moment in which they managed to finish it off. Osvaldo Quintana -The Collective Magazine When I was left with my family without a place to live, a friend got me a house that was unoccupied in a workshop belonging to the Amat textile factory in Monte Grande, which was among the three most important in the country and gave work to more than a thousand people. The place where I went to live was called the little workshop because in relation to the factory it was. But this "little workshop", which was in charge of the manufacture of spare parts and the maintenance of the entire industrial complex, comprised a block and almost a hundred people worked. In other words, the back of my house was separated, by a sliding gate, from huge sheds full of people working. But of course, while this workshop flourished, the factory collapsed, like the rest of the productive apparatus. That's how one fine day they declared bankruptcy, kicked everyone out, put closing strips on the doors and suddenly I found myself alone with my wife and three children, in the middle of the oppression of the huge sheds now empty, waiting for the moment when they came to evict us. I felt the torment of seeing how once again it was necessary to renounce and leave behind everything that had been built, just like with the Express and the Cosmic Center. In this case, things were much more dramatic because the companions, most of them because of their age, would not get a job anywhere. I was always on the streets and developed defense mechanisms, but they were left in the most absolute helplessness and it seemed to me a betrayal to leave without fighting. This lasted four years from when we took over the factory with two hundred workers and transformed it into a cooperative until the moment in which they managed to finish it off. Osvaldo Quintana - El Colectivo Magazine lavalol Photo: Uberto Sagramoso El Bolson (Photos)